Down these mean streets a self-appointed reviewer must go, who is not himself mean, just a little tarnished, and unafraid. By the flicker of a bare bulb, he reads a comic, the kind with dames swooning into the arms of noble but cash-strapped detectives. Inky shadows, greasy mobsters, jet-black pools of blood. The works.
Cloud Atlas
posted by Brian McDonough
Cloud Atlas is a big, ambitious, heartfelt movie. The craft on display is indisputable, and its themes are richer than is being credited. If there's one thing I want from a three-hour movie, it's that it be hobbit-free. If there are two things, it's that it be this engaging and rich. Almost makes me forgive the Wachowskis for the Matrix sequels. But not quite.
Ape 2012: Love, Rockets & Indie Comics
posted by Brian McDonough
Last weekend in San Francisco, the Alternative Press Expo–Comic-Con’s punky kid brother–brought small-press and self-published comics together with a few major figures and provided two pleasant, low-key afternoons for local comics fans to check out new talent and hear from the masters. Jim Woodring, Sergio Aragones and Los Bros. Hernandez were the stars, doing signings and giving talks about their careers. Aragones, after 50 years in comics, remains a humble and entertaining man. Asked about doing an autobiography, he pointed out that many of his comics are autobiographical, so eventually he’ll have chronicled his...
Argo
posted by Brian McDonough
Ben Affleck's considerable directorial talents take another leap foward with this tense, compelling recreation of the weirdest episode in the Iranian hostage crisis. The result is one of Hollywood's best movies of the year.
Seven Psychopaths
posted by Brian McDonough
Seven Psychopaths is an enjoyable movie, but not entirely a successful one. It attempts to have its violent cake and soulfully eat it, too. And the fact that the film is so bloody self-conscious and metatextual about it would seem to prove that it's an impossible task—or at least one beyond the filmmaker's reach.
The Master
posted by Brian McDonough
Yes, Scientology is a crock of shit, but so is this movie. It's just not cynical. The Master has a powerful cast, a commanding director, but no reason for subjecting us to 2.5 hours of fictional biography. There's a difference between a good performance and a good movie.
Looper
posted by Brian McDonough
More like a Philip K. Dick adaptation than any Philip K. Dick adaptation, Looper is a smart and assured sci-fi thriller that disdains 3D and overkill effects in favor of character and story. It's like Inception's mellower kid brother: Not as manic, easier to hold a conversation with, but with some of the same charm.
Untitled Web Series ...
posted by John Marcotte
The Inspector and Piper arrive on Second New Old Earth 7! Travis Richey brings his beloved Community character "Inspector Spacetime" to the web. NBC won't let him call it "Inspector Spacetime," because that would be a common-sense way to promote a valuable property and engender goodwill with their fans, and that's against corporate policy -- but we all know it's Inspector Spacetime, no matter what the suits make him call it.
Space Guys In Space ...
posted by John Marcotte
SPACE GUYS IN SPACE follows the only survivors of the human race — two guys, Carl and Stew, stuck in a broken-down escape pod, with no engines and only basic life support, drifting listlessly through the galaxy.
The Campaign
posted by Nick Pettigrew
The Campaign succeeds largely due to the dynamic built by the fiercely contrasting styles of the film’s stars, Will Ferrell and Zach Galifianakis, and is rounded out by a wonderful supporting cast.
The Bourne Legacy
posted by Brian McDonough
Two great actors, one painfully long chase scene, and a script so dead not even Renner and Weisz can revive it. The movie chugs along fine while you're watching it, but the thing is, it just assumes you care about what's going on, rather than making any effort to actually make you care.
Total Recall (2012)
posted by Brian McDonough
Total Recall has a nice look, but too much monotonous violence and not enough brains or heart. This is a lovely film to look at, and the story isn't as unbelievably incoherent as The Dark Knight Rises, but it's definitely underbaked, the work of someone who knows about "plot" but not much else.
The Dark Knight Rises
posted by Brian McDonough
The Dark Knight flops. This movie is overlong, overly focused on militaristic violence, is a tangled mess of themes and ideas, has the pacing of an epileptic turtle, and worse sin of all: not nearly enough Batman (or Catwoman). And way too much Bane.
Space Guys In Space ...
posted by John Marcotte
SPACE GUYS IN SPACE follows the only survivors of the human race — two guys, Carl and Stew, stuck in a broken-down escape pod, with no engines and only basic life support, drifting listlessly through the galaxy.
Space Guys In Space – Gee (S01E12)
posted by John Marcotte
SPACE GUYS IN SPACE follows the only survivors of the human race — two guys, Carl and Stew, stuck in a broken-down escape pod, with no engines and only basic life support, drifting listlessly through the galaxy.
The Individual Manda...
posted by John Marcotte
The Individual Mandate requires that everyone who can afford to, must purchase insurance for themselves, or face fines. The mandate is what keeps people honest and helps fund the entire system. But opposition to the idea of people being forced to buy health insurance has been widespread.
The Amazing Spider-Man
posted by Brian McDonough
A really uneven script is disguised by a strong cast, fine special effects and a lot of scenes that, on their own, seem strong. We didn't need the Spider-franchise rebooted so soon, but there's stuff to like here, and reasons to look forward to the next installment.
Magic Mike
posted by Brian McDonough
Steven Soderbergh doesn't disappoint. His latest film entertains, engages, and makes male sexuality as overblown and absurd as women's is usually portrayed. It's a familiar story with some new angles. In a summer of effects-driven blockbusters, it's a light bit of fresh air.
Brave
posted by Brian McDonough
Pixar takes aim again at original storytelling in a classic vein, and kicks Disney's wrinkly butt at its favorite game: Princess adventures. Brave is not entirely successful at realizing its own potential, but it's a fine film from a new wave of Pixar filmmakers. It'll scare the pants off some younger viewers, too.
Abraham Lincoln: Vam...
posted by Brian McDonough
Turning one of our most revered and dignified presidents into an action hero in service of a schlocky horror concept sounds like sacrilege. It's startling how much admiration the filmmakers seem to have for the great man, even as they have him slashing armies of the undead with a silver-coated ax.